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Brejeiro
Tango Habanera
Pinguim
Escorregando
Elegantissima
DO 1033
Avancé
ISBN: 040201981814
Disques compacts et DVDs
CD recording, digipack Marc Teicholz, guitar
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For many of us non-Brazilians, our introduction to the legacy of Ernesto Nazareth (1863--1934) was a legendary 1989 clip of the Assad brothers performing Escorregando on a single guitar. A more restrained performance of the same piece appears on this stylish and amiable release from Marc Teicholz - a link between the two versions being established by the revelation that Teicholz’ recording is produced by none other than Sérgio Assad, who is also credited with all 16 arrangements (from piano originals) and provides the program notes. This is a charming set of retro miniatures in which only Turbilhao de Beijos exceeds the five-minute barrier. Given that Villa-Lobos was Nazareth’s junior by just over two decades, it’s perhaps best to see Nazareth as a key figure of the pre-Villa-Lobos generation. Although not many would mistake the Villa-Lobos Etudes for the work of Nazareth, it’s universally accepted that Villa-Lobos drew much inspiration from the chôro groups to wich Assad refers in his notes on Nazareth. It’s certainly possible to detect parallels with Nazareth’s developed yet popular-leaning language of Suite Populaire Brésilienne. All is secure on the playing front, with Teicholz’ mix of the rhythmic and the lyrical in keeping with the upbeat yet unassertive character of the program. Guitars by Santos Hernândez (1930) and Robert Bouchet (1961), further enhance this classy presentation of a significant chapter in Brazilian music.
-Paul Fowles (Classical Guitar Magazine)