Nous livrons du Canada, des États-Unis et de l'Europe pour mieux vour servir!


ProduitsPartitions pour guitareGuitare seuleKobe in my Heart

Kobe in my Heart

Kobe in my Heart

Compositeur: RAYMOND Jean-Marie

DZ 2383


ISBN: 978-2-89737-300-9 

Guitare seule

8 p.

  • Trois formats s’offrent à vous pour vos achats.

    Livre : La version papier de nos éditions, qui vous sera expédiée par la poste à partir du point de distribution le plus près de chez-vous.

    PDF : La version électronique et téléchargeable sous forme de fichier PDF. Ces fichiers sont encodés avec une entête à votre nom et leur ouverture requiert un mot de passe.

    PDF Extra : Cette version vous permet d’imprimer autant de copies que vous en avez besoin pour vos ensembles musicaux. Requiert aussi un mot de passe lors de l’ouverture.


“Another lovely work from French composer”
Here is a French composer whose works are always worth playing, and this is no exception. Following a tranquillo opening of eight bars in the friendly key of A major, it launches into a catchy gavotte with an uplifting feel. However, it goes around the entire fingerboard in the top voice, so it is not very easy. Moreover, there are several places where block chordal ideas inter­change with swiftly changing melody lines. This leads to a brief pause on the dominant 7th and then melds into a middle section in D minor consisting of a valse tendre that is very melancholic, with an appealing grace and a beautiful set of harmonies. This extended section is mostly a bass/chord waltz in the classic style, with several places where a third middle voice enters, or occasionally has its own quick melodic runs. This then pauses and the gavotte re-enters one more time, leading to a short, gentle coda. This is a lovely work that many will enjoy playing. It is not too difficult (it’s listed as «intermediate») - the hardest parts are the sudden position changes in one or two places and the idiomatic way the composer occasionally uses a har­monie amid fretted notes, which could cre­ate one or two awkward moments for the less skilled. That said, this is a wonderful addition to Raymond’s oeuvre, and any interested parties do well to look at the extended list of his pieces published by D’Oz.
-Chris Dumigan (Classical Guitar Magazine)

Autres suggestions