Sonate, opus 1, no. 11

violon, guitare et violoncelle ad lib.

Voilà une très belle oeuvre et une réalisation intéressante pour sa couleur, si la transparence sonore et la clarté d'articulation sont préservées.
(Geneviève Chanut, Les Cahiers de la Guitare)


This Handel sonate is a pleasant addition to guitar literature and a great piece for college ensembles. It is typical baroque fare, with the violin taking the lead and the guitar and cello acting as continuo parts. Occasionally the guitar does get some interesting secondary melodic material, but the cello plays a simple bass fine throughout. Even so, the work is at the intermediate lever for all performers.
There are four movements-a slow first movement, and allegro in binary form as a second movement, a gentle siciliana third movement, and a quick allegro in binary form in 6/8 for the close... ...The guitar part was originally a figured bass accompaniment. It has been realized, I assume, by Gagnon. He has written an interesting guitar part, which will make the work a pleasure to play...
...The publication is nicely presented. The page turns come between movements, and the piece is easy to read...
...Overall, this is an enjoyable addition to the guitar repertoire. Teachers and performers who enjoy good baroque music and ensemble playing will want to add this piece to their music libraries.
(Garth Baxter, Soundboard)