Nous livrons du Canada, des États-Unis et de l'Europe pour mieux vour servir!

Retour

ProduitsPartitions pour guitareGuitare seuleFilm noir - Four scenes

Film noir - Four scenes
  • 01

  • 02

  • 03

  • 04

Film noir - Four scenes

Compositeur: FERGUSON Jim

DZ 1588

Intermédiaire

ISBN: 978-2-89655-487-4

Guitare seule

16 p.

  • Trois formats s’offrent à vous pour vos achats.

    Livre : La version papier de nos éditions, qui vous sera expédiée par la poste à partir du point de distribution le plus près de chez-vous.

    PDF : La version électronique et téléchargeable sous forme de fichier PDF. Ces fichiers sont encodés avec une entête à votre nom et leur ouverture requiert un mot de passe.

    PDF Extra : Cette version vous permet d’imprimer autant de copies que vous en avez besoin pour vos ensembles musicaux. Requiert aussi un mot de passe lors de l’ouverture.

Description

Dark Streets & Shadows
Wheelman
Femme Fatale
Heater

Known equally for his work in both jazz and classical music, Jim Ferguson has contributed to both these musical genres as performer, composer and
musicologist. Film Noir is his tribute in music to the classic film noirs of the 1940s and 1950s. The first movement is Dark Streets & Shadows,
the sound of a distant bell and footsteps are the main effects used with
skill to point the music into setting the mood; I love the marking at the
beginning, Moody, Romantic and A Bit Threatening. «Wheelman« follows the
getaway car to and from the scene of the crime; using effects to describe
a motor idling and revving, a horn honking, and tyres squealing and how
can you resist music marked Motoring But Wary; «Femme Fatale,« the
mysterious and seductive woman. Musically it's quite straightforward, just
remember when you play this, it is marked Sultry and Suspicious; you have
been warned. The suite concludes with «Heater,« the murder weapon! Woven
into the music is loading the gun and the fatal gunshot, and then finally
the collapsing body. This is a really interesting work and something that
would be most effective in a recital. I'm sure a fair amount of acting
skill would not go amiss; well worth investigating and wonderful fun to
work out and play.
Review by John Arran, Classical Guitar Magazine (May 2012 issue, Vol. 30,No. 9)

Autres suggestions